Lust For The Devil: The Erotic-Satanic Art Of Felicien Rops

Product Information

THE 4K UHD LISTING CAN BE FOUND HERE. Includes the Alla Xul 7" tracks as bonus! (Renato Polselli, 1973)Release date: 29 August 2023Limited Edition Blu-rayFrom the mind of one of Italian genre cinema’s most outrageous and uncompromising filmmakers comes Black Magic Rites (Riti, magie nere e segrete orge nel Trecento. INDICATOR LIMITED EDITION BLU-RAY SPECIAL FEATURES For a while I worked as a science teacher, torturing adolescents with the knowledge of how plants have sex. Follow me on Facebook, Twitter, and online at www. Book 1: Sweet and steamy paranormal with a good-natured Satan and the woman who makes him want to be a better Devil. Shortly after the debut they recorded the Alla Xul 2 track EP in 1992 with new members Tony Blakk on guitars (DRUID LORD, EQUINOX) and cult Florida drummer Mike Browning (MORBID ANGEL, NOCTURNUS). I write sweeter romance under the name Doyle MacBrayne and my spicy, often called erotic novels under the pen name Tobi Doyle. The occultists’ satanic rituals call for the blood of virgins… Could Laureen be next?

• Original theatrical trailer
• New and improved English translation subtitles
• Brand-new 4K restoration from the original negative by Powerhouse Films
• Original Italian mono soundtrack
• Limited edition exclusive 80-page book with a new essay by Miranda Corcoran, a career-spanning archival interview with director Renato Polselli by Jay Slater, an archival autobiographical piece by Polselli assessing his career as a filmmaker, Roberto Curti on Black Magic Rites’ censorship history, an overview of contemporary critical responses, and full film credits
• Rock Delirium (2023, 25 mins): DJ and soundtrack enthusiast Lovely Jon deconstructs Reverberi’s delirious compositions
• Limited edition of 10,000 numbered units (6,000 UHDs and 4,000 Blu-rays) for the UK and US
• When We Were Crazy (2023, 19 mins): enigmatic composer Gianfranco Reverberi revisits his haunting score
• Chaos Magic (2023, 39 mins): author and musician Stephen Thrower analyses Polselli’s nightmarish cult classic within the context of the director’s wider oeuvre